Sony DT 16-105 mm f/3.5-5.6
5. Chromatic aberration
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The Sony DT 16-105 mm gives in to the Zeiss 16-80 mm in this category as well. The chromatic aberration level wasn’t high anywhere in the latter; when it comes to the Sony, though, we notice high value at the both ends of the focal lengths range. Fortunately at 30,50 and 70 mm the aberration is low or just momentarily medium.
