Olympus M.Zuiko Digital 12 mm f/2.0 ED
8. Vignetting
At the maximum relative aperture the brightness loss in the frame corners reaches a high level for the Micro 4/3 system – that of 40% (-1.49 EV). Fortunately on stopping down by one stop you can see this aberration decrease by over 20%. By f/2.8 the vignetting level is already 19% (-0.61 EV). The problem practically disappears completely by f/4.0, where the vignetting amounts to just 11%.
Because of the program distortion correction RAW files have a bit wider angle of view that JPEG files. That’s why the vignetting measured using the former format is a bit higher as well. However, in this case the differences are not big - the level of RAW vignetting is just 2-4% higher than that of JPEG files.
Please Support UsIf you enjoy our reviews and articles, and you want us to continue our work please, support our website by donating through PayPal. The funds are going to be used for paying our editorial team, renting servers, and equipping our testing studio; only that way we will be able to continue providing you interesting content for free. |
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
JPEG | RAW |
f/2.0 | f/2.0 |
f/2.8 | f/2.8 |
f/4.0 | f/4.0 |