We don’t have any major reservations concerning the work against bright light. Near the maximum relative aperture it is really difficult to catch any flares at all. A big artifact in a form of a white or colourful flare can be caught only in one, very precise location of the light source. After stopping down the number of artifacts increases and an additional, colourful glare appears as well but only if the sun is situated relatively close to the frame centre.
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