Tokina AT-X PRO FX SD 16-28 mm f/2.8 (IF)
11. Summary
Please Support UsIf you enjoy our reviews and articles, and you want us to continue our work please, support our website by donating through PayPal. The funds are going to be used for paying our editorial team, renting servers, and equipping our testing studio; only that way we will be able to continue providing you interesting content for free. |
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Pros:
- solid casing,
- excellent image quality in the frame centre, no matter what focal length you use,
- good image quality on the edge of the APS-C/DX sensor,
- lack of problems with the longitudinal chromatic aberration,
- imperceptible spherical aberration,
- negligible distortion on the smaller sensor,
- good coma correction on the APS-C/DX sensor,
- imperceptible vignetting on the APS-C/DX sensor,
- low astigmatism.
Cons:
- bad technical solution of the AF/MF change ring,
- very weak performance against bright light,
- slow autofocus,
- distinct coma in the full frame corners,
- a bit too high lateral chromatic aberration near the maximum relative aperture.
The Tokina AT-X PRO FX SD 16–28 mm f/2.8 (IF) is hardly a perfect lens and it had some slip-ups in our test. Still, taking into account its excellent image quality in the frame centre, a good correction of aberrations in the APS-C/DX- sized frame and, above all, its price, it is certainly an instrument worth recommending. Let’s face it: the rival Tamron 15-30 mm f/2.8 is stabilized and it comes with a wider focal range but you have to pay almost twice as much for it. The Canon EF 16–35 mm f/2.8L II USM, an instrument even more expensive than the Tamron, is also optically the weakest in this group. Taking all of this into account I don’t doubt the Tokina will find many satisfied customers and users.