Voigtlander Nokton 50 mm f/1.2 Aspherical
11. Summary
Pros:
- solid, moderately big casing made of metal,
- record-breaking resolution values in frame centre on stopping down,
- sensible image quality on the edge of the APS-C sensor,
- slight longitudinal chromatic aberration,
- negligible lateral chromatic aberration,
- excellent distortion correction.
Cons:
- weak image quality in the frame centre by f/1.2 and f/1.4,
- resolution on the edge of full frame sensor leaves a lot to be desired,
- huge vignetting on full frame,
- noticeable coma.
You shouldn't forget about build quality because here you won't find any weaknesses. It is a classic manual lens made of metal and glass, with the contact plate being the only electronic part you see and it ensures a seamless communication with the camera body. This favourable image is complemented with an impressive aperture featuring as many as 12 blades.
The matter of the price is a separate issue. You have to remember that full frame f/1.2 lenses have never been cheap – it's enough you look at the old Canon 50 mm f/1.2 L EF USM which still costs around $1300. Compared to that the price tag of the new Voigtlander, $950, doesn't seem so bad. On the other hand the excellent and optically complex Sigma A 50 mm f/1.4 DG HSM can be also bought for $950 but, of course, it doesn't provide you f/1.2 aperture and in its case you also have to accept bigger dimensions and weight.
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To be perfectly frank I wish the Nokton was a bit cheaper but still I am glad we have such an instrument on the market because it means a wider choice for many photographers (and not only those affluent ones). After all not everyone has to be a fan of big and heavy lenses and, compared to other small 50 mm devices the Voigtlander has a lot to offer.