Nikon Nikkor AF-S DX 18-300 mm f/3.5-6.3G ED VR
6. Distortion
|
|
|
|
|
|
|
Nikkor 18–300 f/3.5–6.3 VR |
|
|
|
|
|
|
Nikkor 18–300 f/3.5–5.6 VR |
|
|
|
|
|
|
Tamron 16–300 f/3.5–6.3 VC |
|
|
|
|
|
|
It is clear that, compared to the predecessor, the constructors tried to limit the most bothersome barrel distortion, visible at 18 mm. They succeeded – its level decreased from−5.32% to −4.81%. Apart from that the results in the 100-300 mm range improved as well. Unfortunately very disturbing things can be noticed in the middle of the focal range. Already at 35 mm the pincushion distortion becomes quite intense, soaring to +2.24%, and by 50 mm it is even higher as its value reaches +2.71%. It is one of the highest pincushion distortion results we’ve ever seen in our tests.
Please Support UsIf you enjoy our reviews and articles, and you want us to continue our work please, support our website by donating through PayPal. The funds are going to be used for paying our editorial team, renting servers, and equipping our testing studio; only that way we will be able to continue providing you interesting content for free. |
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
It should be clearly said that the Tamron 16-300 mm, even if more difficult to correct because of its wider range, has better results in this category than the tested Nikkor. When it comes to distortion the Nikon optics specialist didn’t exactly distinguish themselves.
Nikon D7000, 18 mm | |||
Nikon D7000, 35 mm | |||
Nikon D7000, 50 mm | |||
Nikon D7000, 100 mm | |||
Nikon D7000, 200 mm | |||
Nikon D7000, 300 mm | |||