As long as you work near the maximum relative aperture the performance against bright light seems to be quite sensible. Still after you stop down the lens distinctly the situation changes. A complex construction with as many as 20 air-to-glass surfaces makes itself felt and you can catch visible light artefacts. They are bothersome only if the sun is positioned inside the frame; if you move the sun out of the frame even just slightly, the problems decrease or disappear practically completely.
What’s more, with such a complex optical construction the overall contrast of images remains quite sensible even if your photos contain colourful artefacts.
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