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Lens review

Sigma A 50 mm f/1.2 DG DN

29 August 2024
Maciej Latałło

5. Chromatic and spherical aberration

Chromatic aberration

The Sigma A 50 mm f/1.2 DG DN, despite its complex optical construction, doesn't feature any low dispersion glass element. It's an interesting fact because the A 50 mm f/1.4 DG DN model did have one low dispersion glass element inside and the reflex camera Sigma A 50 mm f/1.4 DG HSM – as many as three such elements.

It all made us very curious how the new model would perform when it comes to the correction of chromatic aberration. Photos below show that the longitudinal variation of this aberration is corrected well. It means the presence of low dispersion glass is not necessary for the proper correction of this type of optical aberration.

Sigma A 50 mm f/1.2 DG DN - Chromatic and spherical aberration

Lateral chromatic aberration can be described in similar terms – its performance, depending on the aperture used, presents a graph below.

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Sigma A 50 mm f/1.2 DG DN - Chromatic and spherical aberration


This aberration increases slowly from near 0.02% by /1.2 to a value on a level of 0.04% for f/8-16. It's worth remembering the fact that all the results in a range from zero up to 0.04% we describe as very low so also in this category the tested lens deserves to be praised a lot.

A7R III, RAW, f/1.2 A7R III, RAW, f/11.0
Sigma A 50 mm f/1.2 DG DN - Chromatic and spherical aberration Sigma A 50 mm f/1.2 DG DN - Chromatic and spherical aberration


Spherical aberration

In first photos of this chapter, even after a closer inspection, it would be difficult to notice any focus shift effect. Some traces of undercorrected spherical aberration are visible, though – you can find them in circles of light we got before and behind the focus. In the first case you get soft edges, in the second – a brighter rim. Still the effect is not especially strong.

Although problems with spherical aberration are accented, it seems the optics constructors cared more about the appearance of out-of-focus areas. Lack of focus shift and a very good image quality by f/1.2 allow us to think that spherical aberration is still kept within sensible limits.

A7R IIIa, f/1.2, before A7R IIIa, f/1.2, after
Sigma A 50 mm f/1.2 DG DN - Chromatic and spherical aberration Sigma A 50 mm f/1.2 DG DN - Chromatic and spherical aberration